程然 光源 黑白录象,hi8格式,5分钟02秒 2005
Light Souree Video/HI8/Black＆White/5’02" 2005
半掩半闭的空间,若即若离,人与事物,瞬间的光源，瞬间的图象,碎片，做为一个夜晚的结构。
Light Souree Video/HI8/Black＆White/5’02" 2005
半掩半闭的空间,若即若离,人与事物,瞬间的光源，瞬间的图象,碎片，做为一个夜晚的结构。
黄小鹏 GUESS LOVE EVERYDAY / 每天猜测爱 Video/录像. 3’01”2007.
流行音乐是最容易被接受,也是误解最多的东西方交流形式.这是我正在做的流行文化与现实生活关系的计划卡啦OK mv 之二, 利用快译软件重复地翻译中外流行曲，一直到它们和影像荒谬地结为一体。。。其中街边抢劫情景的录像来源于po.lice提供给法庭的证据
流行音乐是最容易被接受,也是误解最多的东西方交流形式.这是我正在做的流行文化与现实生活关系的计划卡啦OK mv 之二, 利用快译软件重复地翻译中外流行曲，一直到它们和影像荒谬地结为一体。。。其中街边抢劫情景的录像来源于po.lice提供给法庭的证据
迈克尔。李宏辉 一次心理实验 数字录像 5分钟 2004
Michael Lee Hong Hwe A Psychotectonic Experiment Video | Digital | 5min | 2004
How can a neurotic become psychotic? I address this question through a combination of approaches: first self-portrait photography, then cutout method, then installation of the cutouts at various points at home, and finally, videography. The outcome is a series of vignettes of miniatures of my image seeking adventures in an alien landscape.
Michael Lee Hong Hwe A Psychotectonic Experiment Video | Digital | 5min | 2004
How can a neurotic become psychotic? I address this question through a combination of approaches: first self-portrait photography, then cutout method, then installation of the cutouts at various points at home, and finally, videography. The outcome is a series of vignettes of miniatures of my image seeking adventures in an alien landscape.
李牧 生日快乐 录像 6分钟 2006
Li Mu Happy Birthday video 6min 2006
投掷蛋糕是生日聚会中最常见的一幕。然而，这里是甜蜜、嬉闹、伤害、幸福亦或忍耐？
Pitching cake with each other at birthday party is the most common scene—sweet,frolic,hurt,happiness or endurance?
Li Mu Happy Birthday video 6min 2006
投掷蛋糕是生日聚会中最常见的一幕。然而，这里是甜蜜、嬉闹、伤害、幸福亦或忍耐？
Pitching cake with each other at birthday party is the most common scene—sweet,frolic,hurt,happiness or endurance?
吕滢 七日 录像 2006
Lv Ying Seven Days video 2006
按照圣经上的说法上帝七日创世纪，造男人女人和万物，从此人类和生物繁衍生息。
在不同肤色，不同种族，不同言语的大同世界中唯独男人与女人保持着明显的各自特征，而且这种特征不会因为世界的大同而消解。
在人化的世界里男人与女人成为两种均衡的力量而存在。他们相互独立却又相互依存在一起，组成人世界中的最基本单元结构。从男人与女人的生物性特征上他们就是截然不同而无法同化的，也造成了他们对立的一面。现实的世界中，他们又扮演着互相各自不能替代的角色，在瞬息万变的大同世界中相互对抗又纠缠不清。
片中是生活的片断，是两种元素构成的世界的缩影和瞬间。
According to the Bible, God created universe and creatures in seven days. God created man and woman, and after that human and all animals increase gradually in number.
There are different colors, different nations, and different languages in our world. But in these more “same” world, man and woman keep their obviously characters, and will not affected by the “same” trend.
In humanly world, man and woman as a balanced power exist. They are in depending on each other, and to be confined each other either. They construct the basic unit in our human life. They will not be assimilated each other or become one’s mirror, because they are very different from their creature characters. In some sense, they are holly opposite to each other. But in real world, they are impossible apart; they have to living together and create together, so they always in these situations. Opposite accompany identical.
A span of daily life, the two units construct the human world.
Lv Ying Seven Days video 2006
按照圣经上的说法上帝七日创世纪，造男人女人和万物，从此人类和生物繁衍生息。
在不同肤色，不同种族，不同言语的大同世界中唯独男人与女人保持着明显的各自特征，而且这种特征不会因为世界的大同而消解。
在人化的世界里男人与女人成为两种均衡的力量而存在。他们相互独立却又相互依存在一起，组成人世界中的最基本单元结构。从男人与女人的生物性特征上他们就是截然不同而无法同化的，也造成了他们对立的一面。现实的世界中，他们又扮演着互相各自不能替代的角色，在瞬息万变的大同世界中相互对抗又纠缠不清。
片中是生活的片断，是两种元素构成的世界的缩影和瞬间。
According to the Bible, God created universe and creatures in seven days. God created man and woman, and after that human and all animals increase gradually in number.
There are different colors, different nations, and different languages in our world. But in these more “same” world, man and woman keep their obviously characters, and will not affected by the “same” trend.
In humanly world, man and woman as a balanced power exist. They are in depending on each other, and to be confined each other either. They construct the basic unit in our human life. They will not be assimilated each other or become one’s mirror, because they are very different from their creature characters. In some sense, they are holly opposite to each other. But in real world, they are impossible apart; they have to living together and create together, so they always in these situations. Opposite accompany identical.
A span of daily life, the two units construct the human world.
马秋莎 一部美丽电影 多屏录像 10’22” 2007
Ma Qiusha a beautiful film Video（3－4） 10’22” 2007
Ma Qiusha a beautiful film Video（3－4） 10’22” 2007
那颖禹 风搅雪 /录像/标准DV转DVD/PAL制式/33分51秒/彩色/2005
Na Yingyu snow into the wind1/video/PAL/DV trans to DVD/33min51sec/color//2005
作为《中国口头文学随机梳理》系列录像作品的第一部和第二部，《风搅雪》在2005年2月于河南省宝丰县马街村完成，《遗忘纪》在2005年8月于广东省连州市星子镇，瑶安乡及三水乡完成。
计划每年随机选择2-3个地点，拍摄作为非物质文化遗产的中国民间口头文学。
它将是一系列以口头文学为叙述主体的"结构"文本,当地枝蔓丛生的其他非物质遗产如:舞蹈、游戏、神话、宗教礼仪、风俗、手工艺、建筑、计算等,作为客体或观者出现,这些枝枝蔓蔓时时不分主客,或者在模糊主体瞬间,自我模糊,迅速将叙述拉回主体；或者一路下去，不管不顾，占山为王，反客为主。
最终成片是一系列着迷主观，强调结构，克制叙述夹以不可自控的瞬间狂欢的私人化录像。
As vol.1 and vol.2 of the video series Random Combing of Chinese Oral Literature, the video work Snow Into The Wind finished in Feb 2005 at Majie village, Baofeng county of Henan Province, and the Reliquary finished in Aug 2005 at Lianzhou city of Guangdong Province.
The project intend to aim the video camera at the Chinese fork oral literature as the intangible cultural heritage in 2 or 3 location which will be chosen at random annually.
With the result that a series of “Structure”text put the oral literature down for the narrative subjects, and the local intricate intangible cultural heritage: dance, game, fable, religious ceremonies, custom, handicraft, architecture and arithmetic etc, have been represented as objects or beholders.Frequently, these intricacies are undistinguishable between subject and object. They are apt to break the Subject-object Dichotomy, be self-confused, pull narratives back to the subject rapidly, or go their own way, letting the chips fall where they may, reversing the position of subject and object when they get the run upon.
Ultimately, the finished works become a series of personalized videos accompanied with instantaneous carnival in manner of being obsessed by subject, emphasizing the structure and restraining the narratives.
Na Yingyu snow into the wind1/video/PAL/DV trans to DVD/33min51sec/color//2005
作为《中国口头文学随机梳理》系列录像作品的第一部和第二部，《风搅雪》在2005年2月于河南省宝丰县马街村完成，《遗忘纪》在2005年8月于广东省连州市星子镇，瑶安乡及三水乡完成。
计划每年随机选择2-3个地点，拍摄作为非物质文化遗产的中国民间口头文学。
它将是一系列以口头文学为叙述主体的"结构"文本,当地枝蔓丛生的其他非物质遗产如:舞蹈、游戏、神话、宗教礼仪、风俗、手工艺、建筑、计算等,作为客体或观者出现,这些枝枝蔓蔓时时不分主客,或者在模糊主体瞬间,自我模糊,迅速将叙述拉回主体；或者一路下去，不管不顾，占山为王，反客为主。
最终成片是一系列着迷主观，强调结构，克制叙述夹以不可自控的瞬间狂欢的私人化录像。
As vol.1 and vol.2 of the video series Random Combing of Chinese Oral Literature, the video work Snow Into The Wind finished in Feb 2005 at Majie village, Baofeng county of Henan Province, and the Reliquary finished in Aug 2005 at Lianzhou city of Guangdong Province.
The project intend to aim the video camera at the Chinese fork oral literature as the intangible cultural heritage in 2 or 3 location which will be chosen at random annually.
With the result that a series of “Structure”text put the oral literature down for the narrative subjects, and the local intricate intangible cultural heritage: dance, game, fable, religious ceremonies, custom, handicraft, architecture and arithmetic etc, have been represented as objects or beholders.Frequently, these intricacies are undistinguishable between subject and object. They are apt to break the Subject-object Dichotomy, be self-confused, pull narratives back to the subject rapidly, or go their own way, letting the chips fall where they may, reversing the position of subject and object when they get the run upon.
Ultimately, the finished works become a series of personalized videos accompanied with instantaneous carnival in manner of being obsessed by subject, emphasizing the structure and restraining the narratives.
彭韫《镜中人》 短片 3分26秒 2005年
由一个身躯到另一个身躯引发的一切：断腿的蜥蜴、分饰两角的女人、生育
、捆绑。镜子内外，结束之后，是另外的一场被等待发生？
From one body to another ,the change of focus brings to us :a lizard with a broken leg , a woman with two identities,procreation, bind. Inside and outside of the mirror ,after ,is it another wait?
由一个身躯到另一个身躯引发的一切：断腿的蜥蜴、分饰两角的女人、生育
、捆绑。镜子内外，结束之后，是另外的一场被等待发生？
From one body to another ,the change of focus brings to us :a lizard with a broken leg , a woman with two identities,procreation, bind. Inside and outside of the mirror ,after ,is it another wait?
盛剑锋《对话》，2007，行为录象，3′19″
Sheng Jianfeng Dialogue，2007，Performance/video,3′19″
我对着分贝器歇斯底里的喊＂叽里咕噜不知所云的音调＂一串一串的喊！一次都喊到我无法发声为止。
I yell at a decibel machine hysterically,a series of chirps,with unknown tones,till i am voiceless.
Sheng Jianfeng Dialogue，2007，Performance/video,3′19″
我对着分贝器歇斯底里的喊＂叽里咕噜不知所云的音调＂一串一串的喊！一次都喊到我无法发声为止。
I yell at a decibel machine hysterically,a series of chirps,with unknown tones,till i am voiceless.
王丹 在我姥姥家 录像 2007
如今拿起摄象机,数码相机创作已经是再自然不过的事情,就像作家的笔,画家的刷子,创作他们就像解决生活中必须要解决的事,而不是首先在概念中为一件作品而创作.
Making art with digital camera recorders and digital cameras taday are as natural as writers using pens or artists using brushes. Make artworks as if the act of creating is a basic function in life that must be done,rather than making something that are firstly conceptually works of art before they are actually created.
如今拿起摄象机,数码相机创作已经是再自然不过的事情,就像作家的笔,画家的刷子,创作他们就像解决生活中必须要解决的事,而不是首先在概念中为一件作品而创作.
Making art with digital camera recorders and digital cameras taday are as natural as writers using pens or artists using brushes. Make artworks as if the act of creating is a basic function in life that must be done,rather than making something that are firstly conceptually works of art before they are actually created.
温京博 《风》录像 2005
我紧随冬日冷风的视角，独自前行，抒发了一个人远离家乡故土的寂寥与一片思乡之情，以表达我当时初到德国的感受和心情。
I followed the winter of cold wind angle of view I was marching alone, to express a person who was back away from his hometown with a feeling of homesickness, I was beginning to think the feeling and mood of Germany.
我紧随冬日冷风的视角，独自前行，抒发了一个人远离家乡故土的寂寥与一片思乡之情，以表达我当时初到德国的感受和心情。
I followed the winter of cold wind angle of view I was marching alone, to express a person who was back away from his hometown with a feeling of homesickness, I was beginning to think the feeling and mood of Germany.
张墨柳 《未完成》录像 2005-2007
《未完成》是一系列视频作品的连结。其中的每一个视频作品都是一个片断。这些片断和我的生活密不可分，与其将它称为“作品”，我更愿意将它看成是我平常生活的一部分。它们是关于我生活的空间，我到过的地方，我做过的事情。只要我的生活还在继续，这件作品就会继续。我无法预测它完成的时间，因此叫它“未完成”。
"Unfinished" is a series video, which is composed of a number of short pieces. Each piece is a moment. The work deals with life. I prefer to consider it as a part of my normal life, other than a piece of "art". They are all about my real life- the place I live, where I have been to, and what I have done...The work will be continued as my life is going on. I named it "unfinished" because I can never predict the time my life end up.
《未完成》是一系列视频作品的连结。其中的每一个视频作品都是一个片断。这些片断和我的生活密不可分，与其将它称为“作品”，我更愿意将它看成是我平常生活的一部分。它们是关于我生活的空间，我到过的地方，我做过的事情。只要我的生活还在继续，这件作品就会继续。我无法预测它完成的时间，因此叫它“未完成”。
"Unfinished" is a series video, which is composed of a number of short pieces. Each piece is a moment. The work deals with life. I prefer to consider it as a part of my normal life, other than a piece of "art". They are all about my real life- the place I live, where I have been to, and what I have done...The work will be continued as my life is going on. I named it "unfinished" because I can never predict the time my life end up.
《邂逅》——rencountre 时长2’53” 2005年
在破落的城郊汽车站一个好事儿的小胖子在等车之余注意到了在他身旁等车的一个表情呆滞带着墨镜貌似盲人的高个子。在百般试探后小胖子决定用把香蕉皮放在他脚下使之滑倒的伎俩来戏耍这个残疾人。最后小胖子被高个子的人扎瞎双眼成了盲人。
A naughty fatty boy find a tall torpor with dark glasses man whose semblance look like a blind in a scruffy bus stop when he waiting for the bus. The fatty boy want use a banana skin to make the “blind” tall guy tumble by throw the banana skin to the tall guy after he try the eyesight of the tall guy. Then the tall guy prod at the fatty boy’s eyeball turn him to a real blind.
在破落的城郊汽车站一个好事儿的小胖子在等车之余注意到了在他身旁等车的一个表情呆滞带着墨镜貌似盲人的高个子。在百般试探后小胖子决定用把香蕉皮放在他脚下使之滑倒的伎俩来戏耍这个残疾人。最后小胖子被高个子的人扎瞎双眼成了盲人。
A naughty fatty boy find a tall torpor with dark glasses man whose semblance look like a blind in a scruffy bus stop when he waiting for the bus. The fatty boy want use a banana skin to make the “blind” tall guy tumble by throw the banana skin to the tall guy after he try the eyesight of the tall guy. Then the tall guy prod at the fatty boy’s eyeball turn him to a real blind.
不错，有意思的！顶！喜欢程然的作品！
盛剑锋的那个煞笔作品是好远古时代的某个业余展览的作品了吧，还好意思再拿出来展？脸皮真是厚得超过月露萍了！
[quote]引用第15楼guest于2007-12-12 01:02发表的 :
盛剑锋的那个煞笔作品是好远古时代的某个业余展览的作品了吧，还好意思再拿出来展？脸皮真是厚得超过月露萍了！[/quote]
顶露萍[s:304]
盛剑锋的那个煞笔作品是好远古时代的某个业余展览的作品了吧，还好意思再拿出来展？脸皮真是厚得超过月露萍了！[/quote]
顶露萍[s:304]
[quote]引用第15楼guest于2007-12-12 01:02发表的 :
盛剑锋的那个煞笔作品是好远古时代的某个业余展览的作品了吧，还好意思再拿出来展？脸皮真是厚得超过月露萍了！[/quote]
这个guest骂人比较牛鼻，一下子骂了3个人哈哈!
盛剑锋的那个煞笔作品是好远古时代的某个业余展览的作品了吧，还好意思再拿出来展？脸皮真是厚得超过月露萍了！[/quote]
这个guest骂人比较牛鼻，一下子骂了3个人哈哈!
盛剑锋的这个作品是在2007年重新拍的，态度还是很认真地！支持他一下！
几个女生的作品到是不错的，顶下先
