来源：燃点 文：墨虎恺
2015布鲁塞尔艺博会刚开幕，这也是艺博会在城市地标原子塔（Atomium，1958年世博会场馆）附近举办的最后一届。明年的艺博会将迁往前皇家海关大楼（竣工于1906年）、如今的“旅游与出租车大楼”。新址的交通更为便利，这一点非常重要，因为如今布鲁塞尔的交通状况非常糟糕。布鲁塞尔既已成为欧洲艺术界的一大中心，艺术家与画廊聚首于此（这座城市的藏家比例占比利时全国之首——这一点当然也为艺博会提供了便利）。已经有人认为布鲁塞会取代如今柏林的地位。不过说起来容易。更有甚者认为,布鲁塞尔正在取代巴黎的地位，在查理周刊事件渐趋平息之后，巴黎又回归到委靡不振的老样子。
不过布鲁塞尔和柏林也有相似之处，它是一个工薪阶层的城市，并不富裕，同时又处在欧盟的“首都”。然而这里的食物却比柏林更美味。此外，跟柏林不同，这里还真有一些本地藏家。无论如何，布鲁塞尔艺博会本身设计优美、组织精心、对藏家和媒体爱护有加、照料周到（比如《燃点》的受邀编辑就被安排住在奢华的索菲特大酒店）。这不是随便甩甩手想推就能推掉的邀请。
Angela De la Cruz at Galerie Krinzinger (Vienna)
艺博会的参展作品中有一大批优质、有趣、搞笑、旖旎之作，尽管它们大多都集中在主展厅（Xavier Hufkens, Almine Rech, Barbara Gladstone, Daniel Templon, 常青画廊, 柯恩画廊, Galerie Lelong等）。但新兴画廊区其实也不乏佳作。成熟创作与新兴创作都可以在这里看到。可惜的是，就《燃点》看来，这里有一类人是缺席的，那就是中国藏家。无疑这种情形将会很快得到改观。毕竟，北京人早就习惯了堵车。
Laura Ford “Days of Judgment Cat 2″ (2012) at New Art Center (Salisbury, UK)—after Michelangelo’s “The Fall of Man and Expulsion from Paradise”, 1509-10, Sistine Chapel
Artist Honoré δ’O at Kristof De Clercq gallery (Ghent)—unpronounceable name but the most fun and beguiling booth.
Detail of Yue Minjun “The Tao Laughter No.4″
（局部）岳敏君, “The Tao Laughter No.4
Hans-Peter Feldmann at Galeria Massimo Minini (Brescia, Italy)
Tony Oursler “Pris” 2015 at Bernier/Eliades (Athens)—works by Oursler were present at a number of booths.
Klara Hobza solo presentation at Waldburger Wouters (Brussels)
Ugo Rondinone at Gladstone Gallery (New York & Brussels)
Shintaro Miyake at Tomio Koyama Gallery (Tokyo)
三宅信太郎，小山登美夫画廊（东京）
Hiromi Tango at sullivan+strumpf (Sydney)
丹後博美，sullivan+strumpf画廊（悉尼）
Paul Wallach “As Is” 2013 at Galerie Jaeger Bucher (Paris)
Xu Zhen “Under Heaven” (2014) at James Cohan Gallery (New York & Shanghai)
徐震，《天下》（2014），James Cohan画廊（纽约，上海）
Tony Oursler “Strawberry Panel” (2013) at Baronian (Brussels)
Haim Steinbach at André Simoens (Knokke, Belgium)
Jason Brooks “What so FJohnny” (2013) at Marlborough Contemporary (London)
Thomas Hauseago at Galerie Michael Janssen (Berlin & Singapore)
Sarah Fauguet & David Cousinard “Vestige” 2012 at Galerie Joseph Tang (Paris)
Giovanni Anselmo at tucci russo studio (Torre Pellice, Italy)
Performance by Horio at Axel Vervoordt (Antwerp & Hong Kong)
Jannis Kounellis at Galerie Lelong (New York & Paris)
Catherine Ahearn “Beater Barrow: at Office Baroque (Brussels)
Sherrie Levine “Detail of the wall frieze of the Ishtar Gate (c.550 B.C.) – Striking Bull” 2007 at
Nicolas Momein at Galerie Bernard Ceysson (Luxembourg, Paris, Geneva, Saint-Étienne)
Kader Attia at Galerie Krinzinger (Vienna)
Pascale Marthine Tayou at Galeria Continua (Beijing, Les Moulins, San Gimignano)
Hans op de Beeck at Galeria Continua (Beijing, Les Moulins, San Gimignano)–another artist whose work was present at several booths.
Chen Han at Hadrien de Montferrand Gallery (Beijing)
陈晗，Hadrien de Montferrand画廊（北京）
Willem Oorebeek at Robert Miller Gallery (New York)
Chiharu Shiota “State of Being (Keys)” 2015 at Galerie Daniel Templon (Paris & Brussels)
塩田千春, “State of Being (Keys)” (2015), Daniel Templon画廊（巴黎，布鲁塞尔）
