SILENCE——Zheng Wenxin SoloExhibition
Ceremony: 15:00pm Mar.2013
During Time:9th Mar.--8th Apr.
Open time: 10:00 a.m. - 7 pm(day off on Monday )
Address:No. 465 Hefang street Hangzhou China
Organizer: Inna Contemporary Art Space
Curator: Inna
website www.innart.org
FOREWORD
I still remember the feeling when I entered the studio of Wenxin for the firsttime. All those completed artworks and the creating process on the canvasfilling the chamber made me fall into the scenes instantly. I have to say, Iwas attracted and charmed by her.
The scene at the spot let me see the belief inside the creator herself, it is akind of determining insistence, a kind of one-man world, fulfilling, which iscasting and shining some strong power within.
WhenI staring at each of her artwork, I feel that the paintings are familiar dailyscenes yet they still represent some buzzards and absurdities inside of her. Asfor me, the compositions send out some atmosphere of never-bygone loneliness. Aclosed, sealed and archived space amid the noises and swirls, a sole world onlyknown to herself.
For years, the Inna Contemporary Art Space has been encountering such creators inthe routes, which grants us continuing possibilities for our work. No matterhow the surrounding it would be, the young creators are always keeping thinkingindependently, regulating themselves, contemplating themselves to challengethemselves and make ground breaking. And these are precise and excellentqualities. Representing this kind of creating and thinking in front of ouraudience is all we want to do. The initial will of our exhibition is the same,too.
Today,the solo exhibition "Chambre del'Aphasie" ofZheng Wenxin(鄭文昕) is opening!
Wehave a beautiful date in spring of 2013.
Inna
Self-Introductionby the Artist
Many contradictions in the life are generated from thecolliding of the inner elements, they are also caused by men ourselves. Seriesof "Chambre de l'Aphasie"are representing the inside man-made psychedelic harassments. I am alwayswanting to place and enumerate tools and properties in my paintings, theirrelationship appears to be familiar yet still somewhat weird and buzzard. In mysub-conscience, I often want to grant some uncertain emotions and feeling intothem. Maybe it is so-called "Karmavarana"(業障 [1]) in Buddha.Unconsciously, people tends to make protection for themselves and getthemselves into the safe-zones to not be interrupted. But they forget that the"Karmavarana"outside the safe-zones is originated from their hearts and minds, which is asimple phantom, the real “Kleshas”(煩惱 [2]) is their safe-zone itself, a pseudomorph, definitely. The oppositefactors of the physical relationship make both parties lack the activerecognitions between each other and get them farther and farther distant. Theprocess of my painting is a process of self-curing at the same time. Thecontradictions I have presented is the shapes and status of the spiritualorigin in the never-ending process of self-recognition.
Zheng Wenxin
SILENCEI 150X200
SILENCEII150X200
SILENCEIII180X700
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官方网站 www.innart.org
豆瓣页面:http://www.douban.com/event/18338654/
微博:http://weibo.com/qingyingyinxiang
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