比利时：Erna Hecey 画廊
[attachment=53553]
画廊介绍
在卢森堡1996年创立的Erna Hecey 的角色一直很重要，安排许多展览和艺术活动。
2005年，Erna Hecey 画廊搬到布鲁塞尔的一个工厂地区。
Erna Hecey 画廊支持年轻艺术家创作，而代理国际年轻和著名艺术家。他们展出过Fabrice Hyber, Marcel Broodthaers, Sophie Calle, Thomas Hirschhorn, Andres Serrano, Nan Goldin, Nedko Solakov, John Armleder, Peter Friedl, Bert Theis, and Lawrence Weiner的作品。自从1998年，Erna Hecey 画廊参加了许多艺术博览会包含巴塞尔、FIAC、ARCO、Art Forum 柏林、和艺术布鲁塞尔，而在Art Unlimited 巴塞尔跟Uri Tzaig, Pierre Bismuth, Johan Grimonprez, Peter Friedl, 和Jana Sterbak制作了一些大装置。
自从搬到布鲁塞尔以后，Erna Hecey 画廊安排了展览跟Peter Friedl, Johan Grimonprez, Eleanor Antin, Jana Sterbak, Uri Tzaig, Rainer Oldendorf, and Pierre Bismuth。
Erna Hecey 画廊跟不同的国际美术馆，像巴黎现代美术馆、Minneapolis 和 Miami 的Walker 艺术中心、卢森堡的 MUDAM、维也纳的现代美术馆、德国Munchen 的 Pinakothek der Moderne, Museum fur Gegnwartskunst Unteres Schloss, Siegen, 布鲁塞尔的Palais des Beaux-Arts、蓬皮杜艺术中心， 西班牙MACBA，等等。
2005年Erna Hecey 建立了卢森堡的 Project & Consulting Agency。目标为设计和管理展览和文化活动，而协助建筑设计相关计划。2007年，Erna Hecey 会在卢森堡欧洲文化首都策划Sophie Calle 的 “优美痛苦”，在Frank Gehry 的装置里。
自从1998年参加的艺术博览会：
ART BRUSSELS （布鲁塞尔艺术）, ART FORUM BERLIN （柏林艺术论坛）, ART BASEL （巴塞尔艺术）, ARCO MADRID （马德里ARCO）, FIAC （法国FIAC）, Artdealers Marseille （马赛Artdealers）
联系方式
Erna Hecey
rue des fabriques 1c
1000 brussels 布鲁塞尔
t. +32.2 502 00 24
f. +32.2 502 00 25
[email]info@ernahecey.com
请点击画廊网址：Erna Hecey
英语介绍
Founded in Luxembourg in 1996, Erna Hecey Gallery proved to be a dynamic force on the Luxembourg scene, organizing numerous exhibitions and events over a ten-year period, with a special focus on collaborative projects. In 2005 Erna Hecey moved to a large industrial space in Brussels.
The gallery supports innovative, emerging creation, and represents an international mix of young and established artists. Our first shows featured Fabrice Hyber, Marcel Broodthaers, Sophie Calle, Thomas Hirschhorn, Andres Serrano, Nan Goldin, Nedko Solakov, John Armleder, Peter Friedl, Bert Theis, and Lawrence Weiner. The gallery has participated in many art fairs since 1998 including Art Basel, FIAC, ARCO, Art Forum Berlin, and Art Brussels, and has realised several major installations at Art Unlimited Basel with Uri Tzaig, Pierre Bismuth, Johan Grimonprez, Peter Friedl, and Jana Sterbak.
Since relocating to Brussels, the gallery has organized exhibitions of Peter Friedl, Johan Grimonprez, Eleanor Antin, Jana Sterbak, Uri Tzaig, Rainer Oldendorf, and Pierre Bismuth, among others, as well as specially curated shows.
The gallery has had the pleasure of working with institutions and museums such as Musée d’Art Moderne de la Ville de Paris, Walker Art Center in Minneapolis and Miami, MUDAM in Luxembourg, Museum Moderne Kunst, Vienna, Pinakothek der Moderne, München, Museum für Gegenwartskunst Unteres Schloss, Siegen, Palais des Beaux Arts, Brussels, Centre Pompidou, Paris, and MACBA, Barcelona, among others.
In 2005 Erna Hecey founded a Project & Consulting Agency in Luxembourg for designing and managing exhibitions and cultural events, and for acting as an artistic advisor for large-scale site specific and architecture-related projects. We will be curating for Luxembourg 2007 European Cultural Capital Sophie Calle’s “Exquisite Pain,” set in a special installation designed by Frank Gehry. The exhibition is situated in Rotunda 1, a grand 19th Century industrial building (2000 m2) originally used for the maintenance of locomotives.
Artfairs since 1998
ART BRUSSELS, ART FORUM BERLIN, ART BASEL, ARCO MADRID, FIAC, Artdealers Marseille
代理艺术家
ELEANOR ANTIN
JOHN M. ARMLEDER
PIERRE BISMUTH
MARCEL BROODTHAERS
PETER DOWNSBROUGH
LILI DUJOURIE
PETER FRIEDL
KENDELL GEERS & S-338
JOHAN GRIMONPREZ
MARIE-ANGE GUILLEMINOT
PIERRE LEGUILLON
OLIVIER MILLAGOU
IVAN MOUDOV JOHN MURPHY
OLAF NICOLAI
RAINER OLDENDORF
ELS OPSOMER
KLAUS SCHERÜBEL
NEDKO SOLAKOV
JANA STERBAK
BEAT STREULI
BERT THEIS
URI TZAIG
LAWRENCE WEINER
VERA WEISGERBER
作品
SOPHIE CALLE
NAN GOLDIN
THIERRY KUNTZEL
JAVIER PEREZ
SAM SAMORE
ANDRES SERRANO
PATRICK TOS
[attachment=53553]
画廊介绍
在卢森堡1996年创立的Erna Hecey 的角色一直很重要，安排许多展览和艺术活动。
2005年，Erna Hecey 画廊搬到布鲁塞尔的一个工厂地区。
Erna Hecey 画廊支持年轻艺术家创作，而代理国际年轻和著名艺术家。他们展出过Fabrice Hyber, Marcel Broodthaers, Sophie Calle, Thomas Hirschhorn, Andres Serrano, Nan Goldin, Nedko Solakov, John Armleder, Peter Friedl, Bert Theis, and Lawrence Weiner的作品。自从1998年，Erna Hecey 画廊参加了许多艺术博览会包含巴塞尔、FIAC、ARCO、Art Forum 柏林、和艺术布鲁塞尔，而在Art Unlimited 巴塞尔跟Uri Tzaig, Pierre Bismuth, Johan Grimonprez, Peter Friedl, 和Jana Sterbak制作了一些大装置。
自从搬到布鲁塞尔以后，Erna Hecey 画廊安排了展览跟Peter Friedl, Johan Grimonprez, Eleanor Antin, Jana Sterbak, Uri Tzaig, Rainer Oldendorf, and Pierre Bismuth。
Erna Hecey 画廊跟不同的国际美术馆，像巴黎现代美术馆、Minneapolis 和 Miami 的Walker 艺术中心、卢森堡的 MUDAM、维也纳的现代美术馆、德国Munchen 的 Pinakothek der Moderne, Museum fur Gegnwartskunst Unteres Schloss, Siegen, 布鲁塞尔的Palais des Beaux-Arts、蓬皮杜艺术中心， 西班牙MACBA，等等。
2005年Erna Hecey 建立了卢森堡的 Project & Consulting Agency。目标为设计和管理展览和文化活动，而协助建筑设计相关计划。2007年，Erna Hecey 会在卢森堡欧洲文化首都策划Sophie Calle 的 “优美痛苦”，在Frank Gehry 的装置里。
自从1998年参加的艺术博览会：
ART BRUSSELS （布鲁塞尔艺术）, ART FORUM BERLIN （柏林艺术论坛）, ART BASEL （巴塞尔艺术）, ARCO MADRID （马德里ARCO）, FIAC （法国FIAC）, Artdealers Marseille （马赛Artdealers）
联系方式
Erna Hecey
rue des fabriques 1c
1000 brussels 布鲁塞尔
t. +32.2 502 00 24
f. +32.2 502 00 25
[email]info@ernahecey.com
请点击画廊网址：Erna Hecey
英语介绍
Founded in Luxembourg in 1996, Erna Hecey Gallery proved to be a dynamic force on the Luxembourg scene, organizing numerous exhibitions and events over a ten-year period, with a special focus on collaborative projects. In 2005 Erna Hecey moved to a large industrial space in Brussels.
The gallery supports innovative, emerging creation, and represents an international mix of young and established artists. Our first shows featured Fabrice Hyber, Marcel Broodthaers, Sophie Calle, Thomas Hirschhorn, Andres Serrano, Nan Goldin, Nedko Solakov, John Armleder, Peter Friedl, Bert Theis, and Lawrence Weiner. The gallery has participated in many art fairs since 1998 including Art Basel, FIAC, ARCO, Art Forum Berlin, and Art Brussels, and has realised several major installations at Art Unlimited Basel with Uri Tzaig, Pierre Bismuth, Johan Grimonprez, Peter Friedl, and Jana Sterbak.
Since relocating to Brussels, the gallery has organized exhibitions of Peter Friedl, Johan Grimonprez, Eleanor Antin, Jana Sterbak, Uri Tzaig, Rainer Oldendorf, and Pierre Bismuth, among others, as well as specially curated shows.
The gallery has had the pleasure of working with institutions and museums such as Musée d’Art Moderne de la Ville de Paris, Walker Art Center in Minneapolis and Miami, MUDAM in Luxembourg, Museum Moderne Kunst, Vienna, Pinakothek der Moderne, München, Museum für Gegenwartskunst Unteres Schloss, Siegen, Palais des Beaux Arts, Brussels, Centre Pompidou, Paris, and MACBA, Barcelona, among others.
In 2005 Erna Hecey founded a Project & Consulting Agency in Luxembourg for designing and managing exhibitions and cultural events, and for acting as an artistic advisor for large-scale site specific and architecture-related projects. We will be curating for Luxembourg 2007 European Cultural Capital Sophie Calle’s “Exquisite Pain,” set in a special installation designed by Frank Gehry. The exhibition is situated in Rotunda 1, a grand 19th Century industrial building (2000 m2) originally used for the maintenance of locomotives.
Artfairs since 1998
ART BRUSSELS, ART FORUM BERLIN, ART BASEL, ARCO MADRID, FIAC, Artdealers Marseille
代理艺术家
ELEANOR ANTIN
JOHN M. ARMLEDER
PIERRE BISMUTH
MARCEL BROODTHAERS
PETER DOWNSBROUGH
LILI DUJOURIE
PETER FRIEDL
KENDELL GEERS & S-338
JOHAN GRIMONPREZ
MARIE-ANGE GUILLEMINOT
PIERRE LEGUILLON
OLIVIER MILLAGOU
IVAN MOUDOV JOHN MURPHY
OLAF NICOLAI
RAINER OLDENDORF
ELS OPSOMER
KLAUS SCHERÜBEL
NEDKO SOLAKOV
JANA STERBAK
BEAT STREULI
BERT THEIS
URI TZAIG
LAWRENCE WEINER
VERA WEISGERBER
作品
SOPHIE CALLE
NAN GOLDIN
THIERRY KUNTZEL
JAVIER PEREZ
SAM SAMORE
ANDRES SERRANO
PATRICK TOS
EXHIBITION 目前活动
Sophie Calle, 优美的痛苦
卢森堡2007年
6月22日至9月9日
导演：Frank Gehry & Edwin Chan
策划人：Erna Hecey Project & Consulting Agency
地址：Rotunda 1 de Bonnevoie, Luxembourg
2007年卢森堡欧洲文化首都介绍Sophie Calle、Frank Gehry 和 Edwin Chan 的合作项目。
这些艺术家合作会展出与建筑设计和影像艺术有关的作品。
1984年时，Sophie Calle 得了奖学金去日本。过92天，她被她的男朋友放弃了。这个情况使她很郁闷而当她回国了，Sophie Calle 不得不讲这家事情。她也问了人他们经验最痛苦的事情是什么。通过这个过程，Calle 治疗了她的痛苦。展览分三个部分：一个部分跟92张摄影，一个装置模仿新德里大酒店的房间，36块布跟绣花的文字关于人的痛苦经验。
Sophie Calle 的超级资料！请点击：Sophie Calle
英文介绍：
Luxembourg European Cultural Capital 2007 presents a special collaborative project by artist Sophie Calle and architects Frank Gehry and Edwin Chan.
This exceptional project, involving a mix of architectural design and visual art, is the result of a long friendship between Sophie Calle and Frank Gehry. Calle and Gehry have known each other since 1984. As they like to say, she met him in L.A., he met her in Nîmes. Their first collaboration was an art telephone booth on the Garigliano Bridge in Paris, which opened last December. Exquisite Pain for Luxembourg 2007 is their first common venture on such a large scale.
In 1984, Calle was awarded a grant to go to Japan. At the end of her 92 day voyage she was abandoned by her lover, who failed to show up for a planned meeting in New Delhi. Deeply distressed by the break-up, upon her return to France Calle could only speak of the journey's unfortunate ending. Eventually she began asking others to recount their own most painful experiences. Through this process of storytelling and repetition, Calle's pain was slowly alleviated. It was more than fifteen years later, however, that she decided to transform the whole sequence of events into an artwork.
Calle's Exquisite Pain is a powerful visual and texture narrative recounting foreign travel and loss of love, suffering and artistic catharsis. It is the diary of a journey from Paris to Tokyo, passing by the Transsiberian Express from Moscow to Vladivostok, and the tale of a missed rendezvous at the Imperial Hotel room 261 in New Delhi.
On a grand scale, yet introspective and intimate, this new edition of the piece is set in a specially designed installation by Frank Gehry and Edwin Chan for Rotunda 1. Gehry and Chan's unique mise-en-scène adds significantly to the beauty and poetic drama of the work.
Exquisite Pain unfolds in three parts, like an opera or a theatrical production.
The first part of the exhibition consists of 92 photographs and ephemera, recording each day of Calle's trip preceding the missed rendezvous. This diary is presented retrospectively as countdown to the artist's rejection and despair, each photograph or document stamped with a number indicating the remaining amount of 'days until unhappiness'.
Part two is a three dimensional reconstruction of room 261 of the Imperial Hotel in New Delhi, the site of Calle's amorous tragedy, as interpreted by Gehry and Chan.
In the third part - the exorcism - Calle's own story is juxtaposed with narratives of pain and heartache from others. In this dynamic process of repetition and variation the original tale is transformed and the pain evaporated. Presented as 36 diptychs embroidered on light linen, the left side shows a photograph of the red telephone in the Imperial Hotel room where she received the bad news and a version of Calle's story, the right the story of someone else's 'worst pain' along with a related photograph.
Rotunda 1 de Bonnevoie is a late 19th Century industrial building that was dedicated to the maintenance of locomotives and coaches. It is 50 meters in diameter with inside heights ranging from 6 to 8 and 11 to 15 meters at the top of the cupola. The perimeter walls are constructed from yellowish stone; the inside columns are cast iron; the ceiling of the cupola is made up of wooden boards painted grey. It is an impressively vast space with beautiful natural light streaming in through high windows around the whole building.
Sophie Calle, 优美的痛苦
卢森堡2007年
6月22日至9月9日
导演：Frank Gehry & Edwin Chan
策划人：Erna Hecey Project & Consulting Agency
地址：Rotunda 1 de Bonnevoie, Luxembourg
2007年卢森堡欧洲文化首都介绍Sophie Calle、Frank Gehry 和 Edwin Chan 的合作项目。
这些艺术家合作会展出与建筑设计和影像艺术有关的作品。
1984年时，Sophie Calle 得了奖学金去日本。过92天，她被她的男朋友放弃了。这个情况使她很郁闷而当她回国了，Sophie Calle 不得不讲这家事情。她也问了人他们经验最痛苦的事情是什么。通过这个过程，Calle 治疗了她的痛苦。展览分三个部分：一个部分跟92张摄影，一个装置模仿新德里大酒店的房间，36块布跟绣花的文字关于人的痛苦经验。
Sophie Calle 的超级资料！请点击：Sophie Calle
英文介绍：
Luxembourg European Cultural Capital 2007 presents a special collaborative project by artist Sophie Calle and architects Frank Gehry and Edwin Chan.
This exceptional project, involving a mix of architectural design and visual art, is the result of a long friendship between Sophie Calle and Frank Gehry. Calle and Gehry have known each other since 1984. As they like to say, she met him in L.A., he met her in Nîmes. Their first collaboration was an art telephone booth on the Garigliano Bridge in Paris, which opened last December. Exquisite Pain for Luxembourg 2007 is their first common venture on such a large scale.
In 1984, Calle was awarded a grant to go to Japan. At the end of her 92 day voyage she was abandoned by her lover, who failed to show up for a planned meeting in New Delhi. Deeply distressed by the break-up, upon her return to France Calle could only speak of the journey's unfortunate ending. Eventually she began asking others to recount their own most painful experiences. Through this process of storytelling and repetition, Calle's pain was slowly alleviated. It was more than fifteen years later, however, that she decided to transform the whole sequence of events into an artwork.
Calle's Exquisite Pain is a powerful visual and texture narrative recounting foreign travel and loss of love, suffering and artistic catharsis. It is the diary of a journey from Paris to Tokyo, passing by the Transsiberian Express from Moscow to Vladivostok, and the tale of a missed rendezvous at the Imperial Hotel room 261 in New Delhi.
On a grand scale, yet introspective and intimate, this new edition of the piece is set in a specially designed installation by Frank Gehry and Edwin Chan for Rotunda 1. Gehry and Chan's unique mise-en-scène adds significantly to the beauty and poetic drama of the work.
Exquisite Pain unfolds in three parts, like an opera or a theatrical production.
The first part of the exhibition consists of 92 photographs and ephemera, recording each day of Calle's trip preceding the missed rendezvous. This diary is presented retrospectively as countdown to the artist's rejection and despair, each photograph or document stamped with a number indicating the remaining amount of 'days until unhappiness'.
Part two is a three dimensional reconstruction of room 261 of the Imperial Hotel in New Delhi, the site of Calle's amorous tragedy, as interpreted by Gehry and Chan.
In the third part - the exorcism - Calle's own story is juxtaposed with narratives of pain and heartache from others. In this dynamic process of repetition and variation the original tale is transformed and the pain evaporated. Presented as 36 diptychs embroidered on light linen, the left side shows a photograph of the red telephone in the Imperial Hotel room where she received the bad news and a version of Calle's story, the right the story of someone else's 'worst pain' along with a related photograph.
Rotunda 1 de Bonnevoie is a late 19th Century industrial building that was dedicated to the maintenance of locomotives and coaches. It is 50 meters in diameter with inside heights ranging from 6 to 8 and 11 to 15 meters at the top of the cupola. The perimeter walls are constructed from yellowish stone; the inside columns are cast iron; the ceiling of the cupola is made up of wooden boards painted grey. It is an impressively vast space with beautiful natural light streaming in through high windows around the whole building.
