魔幻都市---姬东摄影展
作者：佚名 文章来源：艺术新闻
转自：arts2021
雅各布森认为，诗是隐喻的，叙述文学是换喻的。而对于姬东来说，后艺术时代的观念摄影则是影喻式的。在他的作品中不难看到诡秘化的城市虚构，扭曲和幻化的背景，赋予意念的抽象的猫，象征此岸与彼岸的游泳圈等视觉符号，他用一种视觉“魔幻现实主义”阐释与重审了人性中隐含的孤独，渴望与虚无感。
姬东的新视觉摄影则在“魔幻”“游戏”“意念城市”与“超现实”等观念性的个人体验与视觉效果中永恒定格。，在作品风格的处理上，姬东将内心的表述（本质与精神）通过简洁的意象，转换成多重含义的符号表达。由此，他更接近于一种不可预知的“超现实性”。“游泳圈系列”企图通过两个面膜下的神秘女子传达出人对日常生活的无奈与走出困境时的挣扎，对彼岸的痴迷向往正好印证了人类对现实世界中此岸的逃离与反叛。而带有强烈官感刺激的“猫”的出现，则是作者对不可预知未来的探求，然而，梦的反面却一无所有，过于空白的梦幻使人联想到生活的本质：努力追寻的结果，往往却是永远没有答案。“变形的内衣”“空旷而虚脱的城市”“异常的天空色彩”一并在某个象征眼睛的窗口上出现……
开幕时间：2006年8月18日18：58开始
展览时间：2006年8月18日至9月1日15：00-23：00
地点：顶层画廊，南京东路479号先施大厦12层
电话：021-6352 0256
Seeking Magical Vision in Reality---Photographer Show by Ji Domg
Works by photographer, Ji Dong, a journalist, are formatted in an amazing and amiable magic and play, combining personal concept with non-reality. See the photos, they are so empty, uncertain, full of distortion. It is admirable for his dare to show timidness, greed, humbleness and simplicity. He is different, he differs by his works, speaking differently from other ideology photos.
Poem is metaphor, narration is direct. Works by Ji Dong is metaphor images. It is not difficult to sense the spectral type life of metropolis, distorted, airy, nonobjective, but most true situation. The swimming ring, a symbol of this bank to that bank, explains loneliness, eagerness and emptiness in human spirit.
He grasped the soul of methods and skills of photography for he majored in photography, he is a journalist, owning a job enriching himself with unique vision and occupation sensibility. He shows the true life through “false shot”, bringing reader surprise and nice eye enjoyment. He has a pair of cold eyes of penetrability, for cool observation and deep criticism.
In the works of Swimming Ring, there are multi symbols in his works. They are dreams in dreams,
yearning back to life and dream, but life and dream are so twisted. “Cat”, “Deformed Underwear”,
“Wide and Empty City”, “special Colored Sky” all appear in front of a window, a symbol of eye.
Sponsor: Hangzhou Faniya Wine Co.,LTD
Opening Reception: 18:58 , August 18th , 2006
Exhibition Period: August 18th-September 1st , 2006 (15:00-23:00)
Venue: The Room With a View, 12th F. No. 479 Nanjing Rd (E), Shanghai
More info:021- 6352 0256 [email]hollyzhao@online.sh.cn
寻找现实都市的魔幻空间 ——姬东观念摄影解析
文：玛提塔
当人类文化与艺术伴随“后工业时代”（已查证，是指伴随信息时代及电子化的历史进程而衍生出的新时代。）的进程而悄然转入“后现代”语境的时候，大众文化逐渐消失在波普的视线中，取而代之的是一种更为纷繁和多元化的新艺术，它从最初的形式模拟与象形解构上完成了对国外先锋艺术的崇尚，从而正式登上了艺术的神圣殿堂。自此，中国当代摄影艺术也进入到了一个不断实验、蝉变和发展的新境地。
新视觉艺术冲破了传统镜像中单向表达的樊篱，在事实记录的基础上更趋从平民化和内心化，同时也更注重当下底层生活与城市边缘人群的真实体验，技术已作为工业时代的副产品而更显淡化。复旦大学视觉文化研究中心副主任，同时也是资深视觉评论家顾铮在述评《观念摄影与中国的摄影》中曾提过“观念摄影家们从广泛的文化层面介入，通过摄影这个可以与社会生活发生多种联系方式的媒介，对身体与文化制度的关系、历史与记忆、权力与摄影的复制性……各个层面的问题展开自己的手法繁多的影像讨论。他们在处理这些问题时所表现出的灵活性，令人觉得摄影简直是一种没有任何底线可以坚持的事物。”而姬东的新视觉摄影则在“魔幻”“游戏”“意念城市”与“超现实”等观念性的个人体验与视觉效果中永恒定格。他在一系列带有卡夫卡式的变形与荒诞的作品中将游戏人生及概念网络中隐藏的各种不确定因素及虚无感暴露无遗，从而摒弃了当下盲目地观念作品而带来的贪婪、犬儒与卑怯，同时也与其他观念摄影艺术作了有效的区分。
雅各布森认为，诗是隐喻的，叙述文学是换喻的。而对于姬东来说，后艺术时代的观念摄影则是影喻式的。在他的作品中不难看到诡秘化的城市虚构，扭曲和幻化的背景，赋予意念的抽象的猫，象征此岸与彼岸的游泳圈等视觉符号，他用一种视觉“魔幻现实主义”阐释与重审了人性中隐含的孤独，渴望与虚无感。
作为从正规美术院校毕业的专业人士，他在摄影手法和技巧上更为娴熟，在把握“决定性”时刻也更为严谨与慎重；而同时他又以职业记者的身份，以其独特的观感视角和职业敏感性，捕捉生活本真的真实。他以一个特立独行的社会观察者切入社会，把职业和他的艺术理想结合起来，对当下社会进行冷眼观察和深刻而透析的批判。所以，在他的作品中呈现出的是一个更为真实更为虚妄也更为“魔幻化”的世界。
基于受比利时超现实主义画家玛格丽特的影响，在作品风格的处理上，姬东将内心的表述（本质与精神）通过简洁的意象，转换成多重含义的符号表达。由此，他更接近于一种不可预知的“超现实性”。“游泳圈系列”企图通过两个面膜下的神秘女子传达出人对日常生活的无奈与走出困境时的挣扎，对彼岸的痴迷向往正好印证了人类对现实世界中此岸的逃离与反叛。多重的意象结构正是作者对生命状态的多重回归与梦想，这既是对生命源泉的渴望，也是对理想内里的多重表达与追求。而带有强烈官感刺激的“猫”的出现，则是作者对不可预知未来的探求，然而，梦的反面却一无所有，过于空白的梦幻使人联想到生活的本质：努力追寻的结果，往往却是永远没有答案。“变形的内衣”“空旷而虚脱的城市”“异常的天空色彩”一并在某个象征眼睛的窗口上出现，故意的歪曲与幻化正是创作者对性的原始感知与态度。在作者看来，光怪陆离的城市中到处都漂泊着一种不确定的性，爱与欲的纷扰与脱离，是作为生长在城市中的原著居民所体验到的爱的原罪与灭亡，从偶然相遇的不可预知性到其过程的魔幻性，作者所表达的都是一种超现实的性幻想……
Seeking Magical Vision in Reality
--- Analysis of Ji Dong’s Photography
By Matita
When human culture and art step into modern times of information and electronic world, it actually enter a late modern language environment. Common culture disappear silently and what is replacing is a multi new and more complicated art. That new art slips, and finally stands and sit on the solemn art palace since it advocated primary foreign pioneering art and dissolved itself. Afterwards, the modern photography art of China also approached into a new kingdom with continuous practice, changes and development.
It broke through the traditional fences of single expression. It tends more and more commonalty and innermost being, based on the real records. Vision art emphasizes current ground people’s life or edge life quite most people are having. You can not deny it is a true experience. Technology is important, but its importance fades in showing true life style and psychology in magic vision arts. Gu Zheng, vice director of vision culture research center of Fu Dan University ever said “concept photographers keep close relation with life by photography through extensive angles, they boom their levels of showing body and culture, history and memory, power and life. In this process, their flexibility is obvious, you can only feel that photography is a thing endless and worthy of practice for long and long life.”
Works by photographer, Ji Dong, a journalist, are formatted in an amazing and amiable magic and play, combining personal concept with non-reality. See the photos, they are so empty, uncertain, full of distortion. It is admirable for his dare to show timidness, greed, humbleness and simplicity. He is different, he differs by his works, speaking differently from other ideology photos.
Poem is metaphor, narration is direct. Works by Ji Dong is metaphor images. It is not difficult to sense the spectral type life of metropolis, distorted, airy, nonobjective, but most true situation. The swimming ring, a symbol of this bank to that bank, explains loneliness, eagerness and emptiness in human spirit.
He grasped the soul of methods and skills of photography for he major
作者：佚名 文章来源：艺术新闻
转自：arts2021
雅各布森认为，诗是隐喻的，叙述文学是换喻的。而对于姬东来说，后艺术时代的观念摄影则是影喻式的。在他的作品中不难看到诡秘化的城市虚构，扭曲和幻化的背景，赋予意念的抽象的猫，象征此岸与彼岸的游泳圈等视觉符号，他用一种视觉“魔幻现实主义”阐释与重审了人性中隐含的孤独，渴望与虚无感。
姬东的新视觉摄影则在“魔幻”“游戏”“意念城市”与“超现实”等观念性的个人体验与视觉效果中永恒定格。，在作品风格的处理上，姬东将内心的表述（本质与精神）通过简洁的意象，转换成多重含义的符号表达。由此，他更接近于一种不可预知的“超现实性”。“游泳圈系列”企图通过两个面膜下的神秘女子传达出人对日常生活的无奈与走出困境时的挣扎，对彼岸的痴迷向往正好印证了人类对现实世界中此岸的逃离与反叛。而带有强烈官感刺激的“猫”的出现，则是作者对不可预知未来的探求，然而，梦的反面却一无所有，过于空白的梦幻使人联想到生活的本质：努力追寻的结果，往往却是永远没有答案。“变形的内衣”“空旷而虚脱的城市”“异常的天空色彩”一并在某个象征眼睛的窗口上出现……
开幕时间：2006年8月18日18：58开始
展览时间：2006年8月18日至9月1日15：00-23：00
地点：顶层画廊，南京东路479号先施大厦12层
电话：021-6352 0256
Seeking Magical Vision in Reality---Photographer Show by Ji Domg
Works by photographer, Ji Dong, a journalist, are formatted in an amazing and amiable magic and play, combining personal concept with non-reality. See the photos, they are so empty, uncertain, full of distortion. It is admirable for his dare to show timidness, greed, humbleness and simplicity. He is different, he differs by his works, speaking differently from other ideology photos.
Poem is metaphor, narration is direct. Works by Ji Dong is metaphor images. It is not difficult to sense the spectral type life of metropolis, distorted, airy, nonobjective, but most true situation. The swimming ring, a symbol of this bank to that bank, explains loneliness, eagerness and emptiness in human spirit.
He grasped the soul of methods and skills of photography for he majored in photography, he is a journalist, owning a job enriching himself with unique vision and occupation sensibility. He shows the true life through “false shot”, bringing reader surprise and nice eye enjoyment. He has a pair of cold eyes of penetrability, for cool observation and deep criticism.
In the works of Swimming Ring, there are multi symbols in his works. They are dreams in dreams,
yearning back to life and dream, but life and dream are so twisted. “Cat”, “Deformed Underwear”,
“Wide and Empty City”, “special Colored Sky” all appear in front of a window, a symbol of eye.
Sponsor: Hangzhou Faniya Wine Co.,LTD
Opening Reception: 18:58 , August 18th , 2006
Exhibition Period: August 18th-September 1st , 2006 (15:00-23:00)
Venue: The Room With a View, 12th F. No. 479 Nanjing Rd (E), Shanghai
More info:021- 6352 0256 [email]hollyzhao@online.sh.cn
寻找现实都市的魔幻空间 ——姬东观念摄影解析
文：玛提塔
当人类文化与艺术伴随“后工业时代”（已查证，是指伴随信息时代及电子化的历史进程而衍生出的新时代。）的进程而悄然转入“后现代”语境的时候，大众文化逐渐消失在波普的视线中，取而代之的是一种更为纷繁和多元化的新艺术，它从最初的形式模拟与象形解构上完成了对国外先锋艺术的崇尚，从而正式登上了艺术的神圣殿堂。自此，中国当代摄影艺术也进入到了一个不断实验、蝉变和发展的新境地。
新视觉艺术冲破了传统镜像中单向表达的樊篱，在事实记录的基础上更趋从平民化和内心化，同时也更注重当下底层生活与城市边缘人群的真实体验，技术已作为工业时代的副产品而更显淡化。复旦大学视觉文化研究中心副主任，同时也是资深视觉评论家顾铮在述评《观念摄影与中国的摄影》中曾提过“观念摄影家们从广泛的文化层面介入，通过摄影这个可以与社会生活发生多种联系方式的媒介，对身体与文化制度的关系、历史与记忆、权力与摄影的复制性……各个层面的问题展开自己的手法繁多的影像讨论。他们在处理这些问题时所表现出的灵活性，令人觉得摄影简直是一种没有任何底线可以坚持的事物。”而姬东的新视觉摄影则在“魔幻”“游戏”“意念城市”与“超现实”等观念性的个人体验与视觉效果中永恒定格。他在一系列带有卡夫卡式的变形与荒诞的作品中将游戏人生及概念网络中隐藏的各种不确定因素及虚无感暴露无遗，从而摒弃了当下盲目地观念作品而带来的贪婪、犬儒与卑怯，同时也与其他观念摄影艺术作了有效的区分。
雅各布森认为，诗是隐喻的，叙述文学是换喻的。而对于姬东来说，后艺术时代的观念摄影则是影喻式的。在他的作品中不难看到诡秘化的城市虚构，扭曲和幻化的背景，赋予意念的抽象的猫，象征此岸与彼岸的游泳圈等视觉符号，他用一种视觉“魔幻现实主义”阐释与重审了人性中隐含的孤独，渴望与虚无感。
作为从正规美术院校毕业的专业人士，他在摄影手法和技巧上更为娴熟，在把握“决定性”时刻也更为严谨与慎重；而同时他又以职业记者的身份，以其独特的观感视角和职业敏感性，捕捉生活本真的真实。他以一个特立独行的社会观察者切入社会，把职业和他的艺术理想结合起来，对当下社会进行冷眼观察和深刻而透析的批判。所以，在他的作品中呈现出的是一个更为真实更为虚妄也更为“魔幻化”的世界。
基于受比利时超现实主义画家玛格丽特的影响，在作品风格的处理上，姬东将内心的表述（本质与精神）通过简洁的意象，转换成多重含义的符号表达。由此，他更接近于一种不可预知的“超现实性”。“游泳圈系列”企图通过两个面膜下的神秘女子传达出人对日常生活的无奈与走出困境时的挣扎，对彼岸的痴迷向往正好印证了人类对现实世界中此岸的逃离与反叛。多重的意象结构正是作者对生命状态的多重回归与梦想，这既是对生命源泉的渴望，也是对理想内里的多重表达与追求。而带有强烈官感刺激的“猫”的出现，则是作者对不可预知未来的探求，然而，梦的反面却一无所有，过于空白的梦幻使人联想到生活的本质：努力追寻的结果，往往却是永远没有答案。“变形的内衣”“空旷而虚脱的城市”“异常的天空色彩”一并在某个象征眼睛的窗口上出现，故意的歪曲与幻化正是创作者对性的原始感知与态度。在作者看来，光怪陆离的城市中到处都漂泊着一种不确定的性，爱与欲的纷扰与脱离，是作为生长在城市中的原著居民所体验到的爱的原罪与灭亡，从偶然相遇的不可预知性到其过程的魔幻性，作者所表达的都是一种超现实的性幻想……
Seeking Magical Vision in Reality
--- Analysis of Ji Dong’s Photography
By Matita
When human culture and art step into modern times of information and electronic world, it actually enter a late modern language environment. Common culture disappear silently and what is replacing is a multi new and more complicated art. That new art slips, and finally stands and sit on the solemn art palace since it advocated primary foreign pioneering art and dissolved itself. Afterwards, the modern photography art of China also approached into a new kingdom with continuous practice, changes and development.
It broke through the traditional fences of single expression. It tends more and more commonalty and innermost being, based on the real records. Vision art emphasizes current ground people’s life or edge life quite most people are having. You can not deny it is a true experience. Technology is important, but its importance fades in showing true life style and psychology in magic vision arts. Gu Zheng, vice director of vision culture research center of Fu Dan University ever said “concept photographers keep close relation with life by photography through extensive angles, they boom their levels of showing body and culture, history and memory, power and life. In this process, their flexibility is obvious, you can only feel that photography is a thing endless and worthy of practice for long and long life.”
Works by photographer, Ji Dong, a journalist, are formatted in an amazing and amiable magic and play, combining personal concept with non-reality. See the photos, they are so empty, uncertain, full of distortion. It is admirable for his dare to show timidness, greed, humbleness and simplicity. He is different, he differs by his works, speaking differently from other ideology photos.
Poem is metaphor, narration is direct. Works by Ji Dong is metaphor images. It is not difficult to sense the spectral type life of metropolis, distorted, airy, nonobjective, but most true situation. The swimming ring, a symbol of this bank to that bank, explains loneliness, eagerness and emptiness in human spirit.
He grasped the soul of methods and skills of photography for he major
