yyyy于2016年12月5日在东京拉下帷幕，本展览从初期征集到线上展出再到东京线下实施，共历时三个半月。本次展览同时在多个不同性质空间进行，包括艺术空间、地下隧道等处，展览期间恰逢东京突然降温，室外展示空间（隧道）温度极低，导致设备一度无法工作，作品无法正常展出。随后在大家的共同努力之下，展览恢复正常。yyyy收获了包括武藏野美术大学教授们在内的各位良师益友的诸多肯定与建议，观众反响与互动热烈。十分感谢大家对本次项目的关注、肯定与建议。
On 2016 December 5, yyyy has pulled down in Tokyo, it took 3 months and half from the initial collection to the online exhibition and then to the implementation of the Tokyo under the line. The exhibition site was held in the underground tunnel. Because of a sudden cooling in Tokyo, the tunnel ’s temperature was extremely low, which led to the stagnate of the device. Quite a few artworks could not be properly displayed. Fortunately, in the final joint of all efforts, the exhibition went back to normal. It is gratifying that this exhibition has won a lot of positive comments and suggestions from professors of the Musashino Art University. While the audience responded well. Thanks for everyone’s attention, affirmation and recommendations for the project.
团队在布展中
本次展览的初衷是最大化剥离视觉的诱导，对在艺术创作中已经形成的“视觉中心主义”进行反思，并尽可能地引导观众透过声音去感知。但随着线下展览工作的推进，我们逐渐发现“最大化剥离视觉的诱导”是一件十分困难的事情，因为是否能达到“最大化剥离”这个标准的决定权不在我们，而在观者手里：即使我们尽力将视觉信息删减到最低，观者的第一反应依旧是去接受以视觉为主导的展览信息。这时，展览主题似乎变成一个伪命题。就像黄晶晶和高江波对话里提到的，yyyy这个展览本身也是一个思辨的过程——一方面在一定程度上我们遵循最初设想努力将一个关于声音的展览呈现出来；与此同时当观者进入展览，二者发生关系之时也影响着展览的走向。这便是其迷人之处，每一次展览都是一次实验，即使你精心设计好了开头，但随着过程中大量变因的参与，结果依旧是不可预知。这种未可知也成为接下来展览工作优化的要素和展览研究的重要数据。
The purpose of the exhibition is to maximize the stripping of visual induction, and to reflect on the artistic creation which has been formed ‘visual center doctrine’, and to guide the audience to perceive the sound as far as possible. But with the offline exhibition work, we gradually found that "to maximize the stripping of visual induction" was a very difficult thing. Because the decision-making power to achieve the "maximum divestiture" was not depend on us but the viewers: Even if we try to minimize the visual information, the first response of viewers is still to accept the visual-led exhibition information. At this time, the exhibition theme seems to be a false proposition. But mentioned in the talk of Jiang Bo and me, the exhibition itself is also a process of speculation - on the one hand, we followed the original idea of trying to show an exhibition of the sound to a certain extent; meanwhile when the viewer enters the exhibition, the relationship between the two also affect the direction of the exhibition. This is a fascinating part of the exhibition. Every exhibition is an experiment, even if you carefully designed the beginning, with a large number of changes in the process of participation, the result is still unpredictable. This unknown thing has also become the important data of the optimization of the elements and exhibition.
日本东京DEHAIRI空间
最后，郑重感谢参与本次展览的每一位艺术家，感谢促成展览完成的每一位朋友，感谢大家的理解和包容。2017年我们会继续给大家带来更多有趣的展览项目，请拭目以待。
－黄晶晶
Finally, I would like to pay my great gratitude to all the artists who have participated in this exhibition and to every friend who contributed to the exhibition. Thank you once again for your understanding and tolerance. In 2017 we will continue to bring you more interesting exhibition projects, it remains to be seen.
－Genie Huang
Galleria地下通道｜Galleria Tunnel
展览主题：y y y y
策展人：黄晶晶、高江波
出品：盒子实验室（吴博、周圆、程方力、刘慧慧、高江波、黄晶晶、史碧莹、高云、任唯）
展览时间：2016.11.21—2016.12.5
开幕时间：2016.11.21 16:00pm
展览地点：DEHAIRI空间, 武藏野美术大学内, Galleria地下通道
参展艺术家
Andrew Hart
Bruce Leitch
E-M
黄荻秋
Jimmy Grace
金海生
Vektoria
王智一＋沈丽珑
小寺创太
Steve Dusome+Peter Vickers
张一丁
从绘画到影像, 现实事物所表达的内容在传播中可能会经历多层级的内容转化，而每一层过后，都会削弱其本身所具有的信息价值。而声音却不同，当其作为单一形态存在时，它会以“倾略”甚至“暴力”的方式，传递完整信息，直接削弱其它层级。声音可能来自于物理形态但又不受得其约束，声音是自由的，会出现在我们任意的生活场景中，贴近于想象，激发着思考。以象征未知与变量的“y y y y”作为本次展览主题，拟将声音为媒介，以相对“微小”的方式植入“庞大”的公共空间，试图通过个体的多元化对场域进行再描述，反思主观象征性对当代艺术形态的影响。
Theme：y y y y
Curator: Genie Huang，Gao Jiangbo
Producer: Lab-Box（Wu bo, Butter, Cheng Fangli, Liu Huihui, Gao Jiangbo, Genie Huang, Shi Biying, Gao Yun,Clara Ren）
Date: 2016.11.21—2016.12.5
Opening: 2016.11.21 16:00pm
Venue: DEHAIRI PROJECTS, Musashino Art University, Galleria Tunnel
Artists：
Andrew Hart
Annie Huang
E-M
Bruce Leitch
Jimmy Grace
Jin Haisheng
Kodera Sota
Vektoria
Wang Zhiyi＋Shen Lilong
Steve Dusome+Peter Vickers
Zhang Yiding
From the traditional painting art to the experimental film, the expression of artwork can be read from different perspectives, through the understanding of us , each time of reading may reduce the original messages of artworks or the intention of an artist. In turn, the idea of the sound is different from which because the way of transmission is direct, aggressive or even violent. Sound originates from the material world, however, formed as independent medium- without any interruption of physical limits. Sound means freedom- which is surround us, closed to our imagination, inspires our thoughts. 'yyyy' raised a question that how the symbolic phenomenon can form the industry of contemporary art, and undertake the process of artistic translation of public circumstance.
